20th Century Pop! is a podcast that tries to understand the present by living in the past. Each episode hosts Bob and Tim take a sociological look at the pop culture of the '80s and '90s. Its a ruining of their childhood that hopefully explains how they became adults.
So here’s what it sounds like when an episode goes up without editing. Well… there’s an unlicensed audio clip at the beginning and some intro music that fades out but, beyond those remedial feats, this is a pretty good demo on why they never just turn on the mic and talk. Its a rambling mess with some sincerity to boot as Tim offers a bonus look behind the audio curtain of what it means to podcast, what happened to his proposed replacements show and… maybe … why its better when Bob’s here. It’s Tim’s Pump Up The Volume audition reel … for the first time!
The use of audio and video clips linked from YOUTUBE are for educational purposes and without the expressed permission of their legal holding companies. All rights remain with with their original distributor.
This episode of 20TH CENTURY POP! was recorded by CAST, an online audio platform that lets you create and record a multi-guest podcast straight from your web-browser.
It was then mastered by AUPHONIC, a web-based post-production service that makes it sound like Bob and Tim are worth listening to. Check out both sights for trial and subscription information.
MUSIC FEATURED IN TODAY’S EPISODE:
“Joey” performed by Concrete Blonde off the 1990 album BLOODLETTING.
“Achin’ To Be” performed by The Replacements from their 1989 penultimate release DON’T TELL A SOUL.
The use of these songs are for entertainment purposes and without the expressed permission of the recording artist.
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Contact the show with any questions, suggestions or possible topics with #20popcast on Twitter or by emailing 20popcast@gmail.com.
Follow ROBERT CANNING @rhcanning on TWITTER. Read his web-comic BOB HAS ISSUES on Twitter @Bobissues.
Follow TIM BLEVINS @subcultist on TWITTER and as @subcultist on INSTAGRAM.
20TH CENTURY POP! will return next week to discuss far too many songs for a Matador Records release.